R&B Christmas Ball Review: A Heartfelt Journey Returning to the 90s

The yearly R&B Xmas Ball featured a lineup of artists known for their Christmas records. Rather than focusing on seasonal songs, the evening acted as a nostalgic reason for a voyage back to the sincere and heart-rending style of 90s R&B.

Starting Acts: Classic Feelings

The group Dru Hill delivered classic R&B in matching attire, with music videos from the 2000s playing behind them. Next, a performance of mostly slow jams from Joe set the stage for the headlining artists.

Toni Braxton's Moving Set

The opening of Burna Boy’s Last Last cleverly segued into He Wasn’t Man Enough, connecting Braxton's artistic legacy. At first, her show with a live band appeared anchored in the era of her peak fame.

However, deep into her performance, she spoke about her battles with lupus and being told she might not perform on stage again. Performing Breathe Again in a single spotlight, she delivered a deeply emotional performance. “For as long as I live, I will never forget tonight,” she declared sincerely.

Driving guitar chords then catapulted the audience into Long As I Live, solidifying her grip over the audience's hearts. She finished with an flawless, though slightly abridged, version of her signature hit, Un-break My Heart.

The Group Boyz II Men: Vocal Masters

Taking the stage in dazzlingly matching white suits, Boyz II Men began with Motownphilly. They moved through hits like Water Runs Dry and On Bended Knee, demonstrating breathtaking three-way harmonies that were both tight and responsive to their accompaniment.

Their set included interpretations of influences, such as a standout solo on Purple Rain, and songs influenced by them, like Bruno Mars’s Locked Out of Heaven.

A Touch of Holiday Spirit

Towards the end, the concert embraced the Christmas mood with renditions of Silent Night and Let It Snow. The performance ended with a powerful finale of hits including One Sweet Day, I’ll Make Love To You, and End of the Road.

Overall Thoughts

Although the evening's production had some hiccups, and the sense at times was of artists paying homage to their younger selves, the overall result was transformative. The audience was temporarily taken back to the golden age of R&B, leaving dusted with sparkle rather than frost.

Jason Davis
Jason Davis

Elena Hartwell is a London-based journalist specializing in political analysis and cultural commentary with over a decade of experience.